Peter Webb é um escritor, professor e músico especializado em investigação sobre música popular e contemporânea, subculturas, política e teoria social. É Professor Sénior de Sociologia na Universidade de Inglaterra, em Bristol. Webb trabalhou anteriormente numa editora discográfica independente de 1990 a 2002 como artista e gestor de digressões, nas companhias de teatro físico Blast Theory e Intimate Strangers e na companhia cinematográfica Parallax Pictures. É o proprietário e diretor criativo da editora PC-Press – que publicou livros sobre Test Dept, Killing Joke e Massive Attack. Atualmente, faz música com um projeto chamado New Brand

Título da Palestra

From Lunatic Fringe to world-wide Massive – The Bristol Sound an insider perspective

Publicações

Webb, P. (2023). The milieu culture of punk: Beyond the scene – A guide to thinking and researching culture. In A. Bennett (Ed.). The Bloomsbury Handbook of Popular Music and Youth Culture (71 – 86). London: Bloomsbury Publishing. Available from https://uwe-repository.worktribe.com/output/10487033

Webb, P. (2020). Resuscitating the subcultural corpse: A reflection on subculture as lived experience and the importance of class and ethnicity! In Gildart, K., Gough-Yates, A., Lincoln, S., Osgerby, B., Robinson, L., Street, J., Webb, P., & Worley, M. (Eds.). Hebdige and Subculture in the Twenty-First Century: Through the sub-cultural lens. London: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-28475-6. Available from https://uwe-repository.worktribe.com/output/6690970

Milani, E., Weitkamp, E. & Webb, P. (2020). The visual vaccine debate on Twitter: A social network analysis. Media and Communication, 8(2), 364-375. https://doi.org/10.17645/mac.v8i2.2847. Available from https://uwe-repository.worktribe.com/output/5956303

Hyder, R. (2020). Syncretic youth: The phantom legacy of Hebdige’s subculture—The meaning of style. In Gildart, K., Gough-Yates, A., Lincoln, S., Osgerby, B., Robinson, L., Street, J., Webb, P., & Worley, M. (Eds.). Hebdige and Subculture in the Twenty-First Century: Through the sub-cultural lens. London: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-28475-6_7. Available from https://uwe-repository.worktribe.com/output/6855523

Gildart, K., Gough-Yates, A., Lincoln, S., Osgerby, B., Robinson, L., Street, J., …Morley, M. (Eds.). (2018). Ripped, torn and cut Pop, politics and punk fanzines from 1976. Manchester: Manchester University Press. Available from https://uwe-repository.worktribe.com/output/3866500

Webb, P. (2017). P. Webb, M. Worley, L. Robinson, J. Street, B. Osgerby, S. Lincoln, …K. Gildart (Eds.), Youth Culture and Social Change: Making a Difference by making a noise. London, England: Palgrave Macmillan. Available from https://uwe-repository.worktribe.com/output/879086

Webb, P. (2014). Popular Culture, Hybridity and Hip-Hop. In A. Brooks (Ed.), Popular Culture: Global Intercultural Perspectives (88 -106). Basingstoke: Macmillan Education UK. https://doi.org/10.1007/978-1-137-42672-7. Available from https://uwe-repository.worktribe.com/output/3866076

Webb, P. (2014). Crass, subculture and class: The milieu culture of DIY punk. In Subcultures Network (Ed.). Fight back: Punk, Politics and Resistance. Manchester: Manchester University Press. Available from https://uwe-repository.worktribe.com/output/1786802