19h00 – 19h30 – OPENING EXHIBITION
Up Yours! Tokyo Punk & Japanarchy Today. A photo documentation of five years in the Tokyo underground punk scene by Chris Low
Sub-culture Club: Documenting street culture in London, Los Angeles & Tokyo by Chris Low
Artist: Chris Low
July 5th-31st August
Price: free.
Casa Comum, Porto
KISMIF WARM UP Looking for a KissMif
21h00 – 23h00 – SCREENING ‘Ama Romanta – Uma Utopia que Fazia Discos’ [Ama Romanta – A Utopia That Made Records’ by Carlos Mendes and Vasco Bação
Price: free.
Salão Nobre da Reitoria da Universidade do Porto [Main Hall of the Rectory of the University of Porto], Porto.
23h00 – 00h00 – ONLINE DJSET Looking for a KissMif
Clubbing: DJ Collective DJ’s KISSMyF
Casa Comum, Porto, Online
Price: free.
08h30 – 08h50 – MEDITATION ONLINE Zen Buddhist meditation practice (zazen) led by Andrea Copeliovitch
Facilitator: Andrea Copeliovitch
Online
Price: free.
From 09h30 – Opening and Registration
Rivoli Theater – Porto
10h00 – 10h30 – Summer School Official Opening and Welcome Speeches
Rivoli Theater – Porto
10h30 – 11h30 – WORKSHOP Researching and theorizing (d)evolving music spaces
Rivoli Theater – Porto
11h30 – 12h00 – Coffee-break
Rivoli Theater – Porto
12h00 – 13h00 – CREATIVE WORKSHOP What if what She said that’s all folks?
Rivoli Theater – Porto
13h00 – 14h30 – Lunch
Rivoli Theater – Porto.
14h30 – 15h30 – CINÉ-ETHNOMUSICOLOGY WORKSHOP From ‘Waiting to Connect’ to ‘And, And, And…’: making a polydisciplinamorous research-creation film
Rivoli Theater – Porto
15h30 – 16h30 – WORKSHOP Pandemic times: urban and digital Anthropology contributions in the research of musical collectives in downtown São Paulo
Rivoli Theater – Porto
16h30 – 17h00 – Coffee-break
Rivoli Theater – Porto
17h00 – 18h00 – CREATIVE WORKSHOP Social network analysis, phenomenology and thematic analysis: using punk, DIY, the critique of religion as an example
Rivoli Theater – Porto
17h30 – 18h30 – OPENING EXHIBITION MACKINTÓXICO: From the Edge to the Galaxy
Artist: Tó Trips
July 6th-31st July
Price: free.
Mercado Municipal de Matosinhos – Matosinhos
18h00 – 19h00 – FLASH BOOK LAUNCHES
Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens by Peter Webb
Rivoli Theater – Porto
20h30 – 21h30 – SCREENING ‘Um punk chamado Ribas’ [A punk called Ribas] + Q&A Session with Paulo Antunes
Price: 3€ (https://www.bol.pt/)
Pequeno Auditório [Small Auditorium], Rivoli Theater – Porto
22h30 GIG SUNFLOWERS
Price: 7€ (https://www.bol.pt/).
Subpalco [Under Stage], Rivoli Theater – Porto
08h30 – 08h50 – MEDITATION ONLINE Zen Buddhist meditation practice (zazen) led by Andrea Copeliovitch
Facilitator: Andrea Copeliovitch
Online
Price: free.
From 08h30 – Opening and Registration
Casa da Música, Porto
09h00 – 09h30 – Official opening and Welcome Speeches
Sala 2 [Room 2], Casa da Música, Porto.
09h30 – 10h30 – PLENARY LECTURE John Street
‘Can a song change the world? Protest music as political action’
Sala 2 [Room 2], Casa da Música, Porto
10h30 – 11h00 – Pause
[For reasons inherent to the organization of Casa da Música, KISMIF Conference will not be able to make its KISMIF Coffee-Breaks available on 7 July 2021. However, Casa da Música has a bar/ restaurant, where all the participants can drink coffee, etc.]
Casa da Música, Porto
11h00 – 12h00 – PLENARY LECTURE Matthew Worley
‘Whip In My Valise: British Punk and the Marquis de Sade, c. 1975–85’
Sala 2 [Room 2], Casa da Música, Porto
12h00 – 13h00 Q&A SESSION Tony Drayton 
‘Ripped and Torn: 1976-79 – The Loudest Punk Fanzine in the UK’
Sala 2 [Room 2], Casa da Música, Porto
13h00 – 14h00 – FLASH BOOK LAUNCHES
A Women’s History of the Beatles by Christine Feldman-Barrett
‘ZINES#2 and ZINES#3 Embodied DIY: Feminist and Queer Zines in a Transglobal World’ by Paula Guerra na Laura Lopez Casado
Sala 2 [Room 2], Casa da Música, Porto
13h00 – 14h30 – Lunch
[For reasons inherent to the organization of Casa da Música, KISMIF Conference will not be able to make its KISMIF Lunch Bags available on 7 July 2021. However, Casa da Música has a bar/ restaurant where all participants can lunch (the purchase of lunches can be made on 7 July 2021 at Casa da Música.]
14h30 – 15h00 – PLENARY LECTURE Paulo Furtado
‘COVID and other roads to walk’
Sala 2 [Room 2], Casa da Música, Porto
15h00 – 15h30 – PLENARY LECTURE Stephanie Phillips, Chardine Taylor-Stone, Estella Adeueri, The Big Joanie
‘Resistance in the Sky’
Sala 2 [Room 2], Casa da Música, Porto
15h30 – 16h00 – Pause
[For reasons inherent to the organization of Casa da Música, KISMIF Conference will not be able to make its KISMIF Coffee-Breaks available on 7 July 2021. However, Casa da Música has a bar/ restaurant, where all the participants can drink coffee, etc.]
Casa da Música, Porto
16h00 – 16h45 – PLENARY LECTURE Lucy Robinson
‘We Are All Intellectuals’
Sala 2 [Room 2], Casa da Música, Porto
16h45 – 17h15 – Q&A SESSION Jemima Dury
‘Hallo Sausages: The lyrics of Ian Dury’
Sala 2 [Room 2], Casa da Música, Porto
17h15 – 17h45 – Q&A SESSION Celeste Bell
‘About Poly Styrene: I Am a Cliché’
Sala 2 [Room 2], Casa da Música, Porto
17h45 – 18h00 – Pause
[For reasons inherent to the organization of Casa da Música, KISMIF Conference will not be able to make its KISMIF Coffee-Breaks available on 7 July 2021. However, Casa da Música has a bar/ restaurant, where all the participants can drink coffee, etc.]
Casa da Música, Porto
18h00 – 19h00 – PLENARY LECTURE Mykaell Riley
‘High Art Versus Low Art’
Sala 2 [Room 2], Casa da Música, Porto
19h00 – 20h00 – FLASH BOOK LAUNCHES
Não Dá para Ficar Parado. Música Afro-Portuguesa, celebração, conflito e esperança [‘You Can’t Stand Still. Afro-Portuguese music, celebration, conflict and hope’] by Vítor Belanciano
‘Ripped and Torn: 1976-79 – The Loudest Punk Fanzine in the UK’ by Tony Drayton
‘Ripped, torn and cut: Pop, politics and punk fanzines from 1976’ by Matthew Worley.
Sala 2 [Room 2], Casa da Música, Porto
20h30 – 22h30 – SCREENING ‘Bass Culture’ + Q&A Session with Mykaell Riley
Price: 3€ (https://www.bol.pt/).
Pequeno Auditório [Small Auditorium], Rivoli Theater, Porto.
21h00 – 00h00 – ONLINE DJSET Make Bennett Not War
Clubbing: DJ Collective DJ’s KISSMyF
Price: free.
Casa Comum, Porto, Online
22h30 – GIG Tó Trips
Price: 7€ (https://www.bol.pt/).
Subpalco [Under Stage], Rivoli Theater, Porto
From 08h20 – Registration
Waiting Room [Entrada Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto, FLUP, Porto.
08h30 – 08h50 – MEDITATION ONLINE Zen Buddhist meditation practice (zazen) led by Andrea Copeliovitch
Facilitator: Andrea Copeliovitch
Online
Price: free.
09h00 – 10h30 – PARALLEL SESSIONS
1.1. ‘In the Flesh’: Punk, (r)eXistence and contemporaneity
Rethinking punk recording & production: Elitism, liveness and the DIY myth
Punktopia: An alternative to resistance?
Keeping the punk spirit alive: How the creation of a music collective helped the local punk scene of Xanthi thrive again
Punk, deindustrialisation and ruins
Hardcore punk and skateboard and its relationship with territory photography within contemporary arts
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
2.6. ‘Chasing Rainbows / Transglobal Modern Times’: The connection between DIY and sonic creation in the world
Battle rap DIY Culture in the Philippine context: Handog ng Pilipino sa Mundo
Strange Formations: the DIY math rock promoter as scene gatekeeper
Transforming: Istanbul`s queer music scene
Not just… ‘Angry music for angry people’: Thessaloniki’s DIY music activity and ‘The Capitalist State of Metapolitefsis’
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
5.1. ‘My heart’s a tart, your body’s rent’: Gender politics, femininity, feminism and the artistic and cultural scenes
The gender and sexual politics of the Swiss “alternative” music venue ‘Palace’: Reflections on ethnographic evidence
A contribution to the definition of women roles in dancehall – Stories lived through femininity
Gender in music press & punk feminism
Issues of gender in jazz cultures: Portugal and Turkey, a comparative approach
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
5.4. ‘I don’t want your money honey, I want your love’: gender constructions within the music industry
‘There was nothing else like us’: Women in Melbourne’s music scene across five decades
Performers working within the upperground and underground: The case of the MeToo movement in Sweden
Beyond gangstas, pimps and hos: construction of gender in Native American hip hop
On Queer Turf: Safe Space, Inclusion, and Separatism in US Queer Open Mics
From Riot Grrrls to Millennials: the new age of the DIY culture and feminism
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
8.1. ‘Chains of superstition all come undone’: COVID-19 challenges and artistic difficulties
The Challenges for Cultural Spaces during the COVID-19 Pandemic: Collaborative spaces and temporary uses in Berlin
The Seara – Mutual Support Center of Santa Bárbara squatting: direct action, artistic practices and urban intervention in the Portuguese Covid-19 first lockdown
‘I’ll record it… let me just try to understand how I hold the microphone on the bass’: From live performance to DIY during the COVID-19 pandemic
Control… Release: Anticipating how underground dance music scenes emerge from the COVID-19 pandemic
How can ‘Live Houses’ in Taiwan survive the COVID-19 pandemic and beyond
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
10h30 – 11h00 – Pause
Gardens, Faculty of Arts and Humanities of the University of Porto, Porto
11h00 – 12h00 – PLENARY LECTURE Hyunjoon Shin
‘Subcultural activism, a Misnomer Made in (East) Asia?’
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
12h00 – 12h30 – FLASH BOOK LAUNCHES
Music Cities: Evaluating a Global Cultural Policy Concept by Christina Ballico and Allan Watson
‘Towards Gender Equality in the music Industry’ by Chaterine Strong & Sarah Raine
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
12h30 – 13h00 – OPENING EXHIBITION ‘An Outside Look. Photographs of migrant women exiled in their own art’ by Elizângela Pinheiro
Artist: Elizângela Pinheiro.
8th-10th July 2021
Lost in Room [Anfiteatro 2], Faculty of Arts and Humanities of the University of Porto, Porto
12h30 – 13h30 – Lunch
Faculty of Arts and Humanities of the University of Porto, Porto, FLUP, Porto
13h30 – 14h30 – PLENARY LECTURE Roberta Shapiro
‘How DIY is hip-hop dancing in France?’
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
14h30 – 16h00 – PARALLEL SESSIONS
2.5. ‘Work It, Make It, Do It’: the technological approach to DIY
www.sensorhythms.com: multimodal engagements with the DIY electronic music scene of São Paulo
son0_morph:01-04 ‘Immersive technological DIY environments for creative sonic practice’
‘It doesn’t matter what you do: the point is that people talk to each other’. From the pub to the concert hall: DIY in action at Chez Narcisse No Time for Drama: A Case Study of DIY in an Institutional Setting
Whatever Happens Next: The lost DIY band from nowhere Swell Maps from ‘Read about Seymour’ to ‘Jane from Occupied Europe’
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
4.3. ‘Thought I could crank up the noise’. Sounds, spaces and pleasures
The independent music scene and its importance in tensioning hegemonic knowledge: the case of the independent experimental music scene in São Paulo
The Real McKenzies and the Marginalising Discourse of highlandism
Setting Porto’s jazz scene: Culture, Spaces, and Networks
Making a scene!
Hidden histories: Music, place and the musical reimagining of New York’s East and Greenwich Villages
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
5.2. ‘She eyes me like a Pisces’: affectivity, feminism and gender equalities
‘It just doesn’t feel equal’: affective solidarity and feminist musical engagement in a Swedish context
Towards (trans)feminist 3D rendering practices
The politics of Brazilian dissident gender identities: urban bodygraphy, resistance and (re)existence through poetry in São Paulo
Gothic is female too. Gender equality in a musical subculture
Headless Women and Other Events: Creating feminist narratives to public art through DIY wheat-paste posters
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
6.2. ‘Who’s Generation!’: Technologies and noise spirals
Young asylum seekers’ music consumption practices: An artographic inquiry
The sonic experience of experimental electronics and hardcore techno
How will music recommendation survive in everyday? Algorithmic cultures in Spotify playlists as mediations of performances in Brazilian users
Keep it filtered, make it sound valuable!
Timbre’s affective semiosis in Brazilian indie rock
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
8.2. ‘The Story of the Clash’: Music scenes, COVID-19 and alternative culture
‘Bring back the tourists!’ The impact of Covid-19 on Lisbon’s fado music scene
‘An alternative is not possible’. The impact of COVID-19 pandemic on the Italian live music industry and the resistance of the independent scene to live-streaming concerts
Black boxes in times of pandemic: The COVID-19 pandemic and the acceleration of remote-digital transmissions of theatre
Obligatory DIY in times of crisis: Covid-19 adaptations of Turkish independent music scene
What is the price of your view? PERFORMANCE
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
10.3. Panel Values in non-professional participation in cultural and artistic activities: examples from the UNCHARTED project
Values from Community-engaged artistic projects
Values from culture and community based creative tourism
Values of autonomous culture: Illegal musical events in the times of COVID-19
The Values of Remote Participation in Choirs and Cultural Initiatives during Covid-19
ll Architecture POETRY PHOTOGRAPHIC PERFORMANCE
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
15h00 – 16h00 – OPENING EXHIBITION Materiais Inflamáveis: Culturas de resistência, média alternativos e fanzines (1982- 2021) [Inflammable Materials: Resistance cultures, alternative media and fanzines (1982- 2021)] by Paula Guerra and Pedro Quintela
Curators: Paula Guerra and Pedro Quintela.
08 July 15 August
Gabinete Gráfico, Museu da Cidade do Porto [Graphic Office, Porto City Museum], Biblioteca Municipal Almeida Garrett, Porto
Price: free.
16h00 – 16h30 – Pause
Gardens, Faculty of Arts and Humanities of the University of Porto, Porto.
16h30 – 18h00 – PARALLEL SESSIONS
1.4. ‘Picking up the bodies on TV’: Punk, arts and REBELlion
Stencil Art: From punk to graf and street art
Re-conceptualizing punk & avant garde cinema
Searching for ‘Raw Power’ rock: The quest for punk authenticity and ethics in Detroit from early punk to the garage revival
The Wefts of resentment and revolt in the punk art: The subterranean sensibilities in São Paulo/Brazil in the 1980’s
Doing-It-Yourself’ or ‘Doing-It-Together’? Navigating the DIY value as an ageing punk woman
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
2.1. ‘(Good) Collapse under the Empire’: Humanitarianism, collaborative production/consumption and sustainable development
New sustainable cultures: (re)humanization, political act and nostalgia. The possibilities introduced by collaborative consumption without monetary benefits
DIY culture and practice in Galicia: the non-profit cultural association ‘NAVE 1839’ (2015-2020)
DIY branding practices of slow and vintage fashion brands in Budapest
Neon vortices and COVID masks: a DIY heuristic
The empowering potential of non-organized leisure time
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
3.1. ‘Down in the basement’: Identities, objects and artefacts
This could only be happening here: local identity formation in a Gainesville Zine Archive
Non-traditional media for non-traditional skateboarders: The Skate Witches Zine as a site of cultural resistance & radical inclusion
Easterlies/Westerlies: Echoes of the Eastern Europe underground in French fanzines
Fan artefacts and doing it themselves: The home-made graphics of punk devotees
‘The least we can do is put like a flag in the ground and say that we’re here’: archival impulses in UK DIY music spaces
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
7.2. ‘Out of Step’. Alternative methodologies and emancipatory participative pedagogies
Can we live a polydisciplinamorous ethico-aesthetic paradigm after the future?
Doing Visual Ethnomusicology in 2020
From scene films to scene videos: communities documenting themselves
Bicycle resistance pedagogies
BiPEDAL – ‘The (bi)cycle and its educative potential’. Uses of (bi)cycles as forms of participation in the educating city
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
9.1. ‘I break space around my time’: New forms of right to the city and protest
“Let’s burn it all down”. Direct action as a form of protest against violence in Mexico
Political participation of the music scenes during the national strikes in Bogotá (2019-2020)
Protest without soundtrack? Social movements, music and transformations in the post-crisis period
Dimensions of Politicisation in Research on Youth Music Subcultures
Vulnerability and Resistance in Nadia Vadori-Gauthier’s Urban Interventions of Une minute de danse par jour
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
11.1. ‘Nothing Left Inside’: Towards a new protest song in defence of indigenous communication
Contemporary indigenous music from the north of Mexico: between identity and fusion
A Voice to Be Heard: Contemporary indigenous American musical responses to environmental pollution and climate change
Flores and ‘Tijeras’. Quechua’s language revindication within trap and feminist lyrics
Rapping in the Greek-Cypriot dialect: readings beyond the words
Becoming a cultural entrepreneur in marginal social contexts: tensions and practices of agencement among music entrepreneurs from linguistic minorities
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
18h00 – 18h30 – OPENING EXHIBITION ‘Transa’
Artist: Ângela Berlinde.
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
19h00 – 20h00 – FLASH BOOK LAUNCHES
Special Issue: Cultural Sociology and Artification by Roberta Shapiro
‘Transa Baladas do último sol’ [‘TRANSA, Ballads of the Last Sun’] by Ângela Berlinde
21h00 – 00h00 – DJSET Make Bennett Not War
Clubbing: DJ Collective DJ’s KISSMyF
Casa Comum, Porto, Online
Price: free.
21h00 – 00h00 – DINNER This ain’t no picnic. This is a banquet! This is lust!
Clubbing: DJ SET I Wanna be your Food by Ricardo Salazar
Porto, Surprise Venue
Price: 45€
21h30 – 01h30 – DJSET A Boy Named Sue feat. KISMIF
Online SPOTIFY.
Price: free.
From 08h20 – Registration
Waiting Room [Entrada Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto, FLUP, Porto
08h30 – 08h50 – MEDITATION ONLINE Zen Buddhist meditation practice (zazen) led by Andrea Copeliovitch
Facilitator: Andrea Copeliovitch
Online
Price: free.
09h00 – 10h30 – PARALLEL SESSIONS
2.3. ‘Wires Under Positive Tension’: an approach to the contemporary manifestations of creativity, DIY and difference
Zapping in alternative music: an analysis about DIY radios
Becoming the song: Feral aesthetics, AV, and auto-ethnography
The commonalities between the DIY cultures of rebetiko and blues
Notes on music, persistence and the bloody-minded musician in the DIY milieu
DIY institutions by necessity: state-funded local history museums in Russian small towns (online) National Research University Higher School of Economics
Punk, psychobilly and goth rocking on Carnival: Strange music, fashion and spiky
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
4.4. ‘What the World Needs Now’: Theory and practice of contemporary music scenes
Scene & DIY vs. current social developments: Updating concepts for future research?
Rock music and rocker’s lifestyles: looking at the social representations in the Portuguese contemporary society
Welcome to the Green Repub’: Reggae, sound system and corruption in post-comunist Romania
Fractured micro undergrounds: the translational work of independent music infrastructures in the Hong Kong underground music scenes’
Case studies: the self-positioning of Chinese metal music
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
6.6. Panel Making Music Festivals: diversity, space, freedom, encounter
Devolving to unreconstructed DIYers? Rethinking the urban music festivals for tourists (TempleBar TradFest)
Music festival as space of freedom: Past and present
Rites and responsibilities. Music Festivals and the cultural public sphere
Making Space: Difference and diversity at British music festivals
Constructing Encounters: How music festival producers deal with difference
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
8.3. Panel ‘Grave New World’. Youth, Music-Making and COVID-19
Youth, music making and well-being during a public health crisis
No More ‘European Safe Home’. A preliminary approach to music making in Portugal in pandemic times
‘It’s turned me from a professional to a ‘bedroom DJ’ once again’: COVID-19 and new forms of inequality for young music-makers
an unexplained emptiness SOUND AND VISUAL PERFORMANCE
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
11.4. Panel Subcultural challenges and a discussion on interpretation and meaning making outside of the West/Global North
Subcultural challenges and challenging subcultures: A discussion on interpretation and meaning making outside of the West/Global North
No More Heroes: From post-subcultures to a critical return to the notion of subculture in the Global South
A Travel to the Point of No Return? The (Re)signification of ‘Sub’ in late-20th Century South Korea (and East Asia)
Reflecting on subcultural theories in the interpretation of Chinese punk research
To End the Judgement of God in the Toilet PERFORMANCE
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
10h30 – 11h00 – Pause
Gardens, Faculty of Arts and Humanities of the University of Porto, Porto.
11h00 – 12h00 – PLENARY LECTURE Anna Szemere
‘Do It Yourself’ As ‘Do It Your Way’: Creativity in popular music and business practices in a neoliberal regime
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
12h00 – 12h30 OPENING EXHIBITION ‘White Privilege’ by Jubilee Street
Artist: Jubilee Street
Domination Room [Bar dos Professores], Faculty of Arts and Humanities of the University of Porto, Porto
12h30 – 13h00 – FLASH BOOK LAUNCHES
Punk, Fanzines and DIY Cultures in a Global World. Fast, Furious and Xerox by Paula Guerra and Pedro Quintela
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
13h00 – 14h00 – Lunch
Faculty of Arts and Humanities of the University of Porto, Porto, FLUP, Porto
14h00 – 15h30 – PARALLEL SESSIONS
1.2. ‘Spitting out all types of sugar’: The metamorphoses of punk afterlife
The art of slouching: Posture in punk
Against Zion: Israeli punk and radical politics in the 90s and early 00s
Against the Stream: Finnish punk’s global reach from the periphery to the core (and back again)
‘Deutschland muss sterben, damit wir leben können‘. German punk rock and DIY memory of WWII
Rampa – Exhibition PERFORMANCE EXHIBITION
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
3.2. ‘Don’t you want me baby?’ Museums, heritage and memories
Developing personas and proto personas to enhance the art museum visitor experience
Challenging the Museum Heritage: exhibiting hip hop as aboriginal culture
Performativity of the memory in site-specific sound and visual narratives
Comic violence: Humour and horror in the Brazilian allegories of the culture wars
Technological dramas of neobakala music scene
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
5.3. ‘Where wigs are manes’: Queer identities in alternative media
Re-appraising Hi-Nrg, the Queer soundtrack to the 1980s
The space in the Iberian feminist queer zines
Fragments of a Queer Feminist Rock, Pop and Electronic Subculture in Vienna
Prefiguring futures in queer punk
The Non-Binary Possibilities of Zines and DIY Media
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
6.3. ‘Pumped up kids’: Youth and digital participation
Tik-Tok and politics. Youth participation via social media
Digital Music Platforms in China: New Taste and New Control
Youth culture participation, the life course and experience of life
Games Soundtracks: Sense production, creativity, subjectivity and marketing cooptation
Social Noises: ethnomusicological reflections on lo-fi and DIY practices
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
10.1. ‘Pursuit of liberty’. Artification, projects and contemporary perspectives
The business model through an ecosystem perspective: An exploratory approach applied to a cultural card
A duo’s do-it-yourself cinema
Cartography of photographic exhibitions of the Parallel Lives Project: Image as an emancipatory device
The multidisciplinary role of cultural management; a look for communication as management tool and key-activity
The global challenge of the inevitable(?)artistic institutionalization process
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
11.3. ‘This is not Enough, Stand Up and Fucking Fight’: Global South, precariousness, decolonial artistic practices and gender
Artistic research in Brazil: a possibility to the development of decolonial musical practices
‘If 6 Was 9’: Musical remediation as intertextual play in Vietnam War-Era epistolary song
The cultural impact of Beyoncé’s Black Is King
Feminist art, intersexuality and decoloniaty in the Global South
Musicians from the Colombian Caribbean: Cultural inequality and precariousness
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
15h30 – 17h00 – PARALLEL SESSIONS
2.2. ‘Another Music in a Different Room’: Creative processes and Do-it-yourself praxis and ethos
From a creative process to an alternative label: the DIY experience in the case of roller derby
Voice of the music industry? The Tensions between DIY culture and the British music press, 1975- 1985
Just another Typical Day at Work. DIY Careers in the Portuguese independent music scene
DIY Soul Time: Investigating learning and participation in the Scottish Northern Soul Scene
DIY: Giving yourself more cultural, creative freedom while recording Music & how that impacts marginalized communities around the globe PERFORMANCE
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
4.1. ‘Life after Life’ Crucial changes in urban space through arts and music
Independent cultural scene as an actor of changes in the urban space: The Example of Zadar
Rio de Janeiro: A city of camouflaged cities – Cultural heritage as a resistance territory in the 21st century city
The Eternal(ly Struggling) City: A roman musical journey between the local and the global
The improvised city: contributions of informal dwelling towards an expanded paradigm of the metropolis. The case of Porto, Portugal
The Legacy VIDEO PERFORMANCE
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
5.5. ‘Hear her voice, shake my window’: sexism and resistance
Smashing sexism and colonial gender norms: Punk feminism in the Philippines
Indie rock and gender in the digital world: the Spanish band Hinds
Rebel Girl: a collective alternative to the ‘flanêuse’?
‘The Knickers’ heavy metal: Protagonism, productions of senses and representativeness in feminist narratives Sung by Them
Pack Up Your Pink Tents: Camp goes to the Gala
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
6.5. ‘We are the heroes of our time’: cultural policies, music, festivals and struggles
Micropolicies of ethnic representation through music festivals: the case of Lisbon
Music festivals and other arts as instruments of culture and local sustainability in rural territories
‘I make you a ‘cafuné’’: music and resistance on a Zoom collaborative radio
Performance as Research in Communication: dérives and sound cartography in the city of São Paulo at the Paulista Aberta event
Exploring the cassette as a medium of participatory cultures in Manila
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
7.1. ‘Let’s Start A War’. Participatory cultures, music education and punk pedagogy
Larry and the Happy Hours’ Lockdown Sessions: Embracing Amateurism and DIY Music Making to Punk American School Music
Artistic education and the approach to the world of music. The case of jazz musicians in Barcelona
Bridging Nodes: Arts Instruction, Parental Education, and Omnivorous Consumption
A DIY musical Pedagogy
Case Studies for a possible sonic lab. Hugh Davies’ DIY and hacker methodologies
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
17h00 – 17h30 – Pause
Gardens, Faculty of Arts and Humanities of the University of Porto, Porto.
18h00 – 19h30 – SCREENING ‘Ela é uma Música’ [She is a Music] + Q&A Session with Francisca Marvão
Price: 3€ (https://www.bol.pt/).
Pequeno Auditório [Small Auditorium], Rivoli Theater, Porto.
19h00 – 20h00 – FLASH BOOK LAUNCHES 
Bea Palya’s I’ll Be Your Plaything by Anna Szemere
‘Made in Hungary: Studies in Popular Music’ by Emilia Barna
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
21h00 – 00h00 – DJSET Make Bennett Not War
Clubbing: DJ Collective DJ’s KISSMyF
Casa Comum, Porto, Online
Price: free.
22h30 – 23h30 – GIG Matriarca Paralítica
Subpalco [Under Stage], Rivoli Theater, Porto
Price: 7€ (https://www.bol.pt/).
From 08h20 – Registration
Waiting Room [Entrada Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto, FLUP, Porto
08h30 – 08h50 – MEDITATION ONLINE Zen Buddhist meditation practice (zazen) led by Andrea Copeliovitch
Facilitator: Andrea Copeliovitch
Online
Price: free.
09h00 – 10h30 – PARALLEL SESSIONS
3.4. ‘Behind the Curtain’. Archive, graffiti and the new paths of artistic documentation
Representation and reconstruction of memories on graffiti writing – case study about animation as documentary strategy
ObEMMA: Operationalizations and expectations of a pioneer observatory of electronic music and media arts in Portugal
Constellation Records: a contemporary trans-local perspective shaped on music and mixed media arts
Secret places for secret societies. The digital monuments of Northern Soul
The poetic complexity of Encontros de Graffiti in the city of São Paulo
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
6.1. ‘I dismiss everything I see in front of me’: Bands, aura, charisma and heritage
The Darkly Splendid World: Contextualizing Current 93’s visions of a troubled world
Hot Valves: Neil Young, tube amps and the complexity of simplicity
From (post)soviet thrash to global pagan metaldom: prehistory of Latvian band Skyforger
Wogs at the Cornershop: British Asian histories through an indie band
The social lives of reissues: Rethinking object biography in popular music studies
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
6.4. ‘Leave the Door Open’: Music, audiences and behaviors
‘Are you taking the plastic from the CD’? Music, audiences and behaviors in the Eurovision Song Contest I
Ouvidor 63 Resist! Festival: urban occupations, music and city
Heterotopia, liminality and everyday life: The Boom Festival as an epiphenomenon of otherness
‘Viveiro was already hardcore’: the relevance of the local scene and its territory in the constitution and development of the Resurrection Fest
Community music festivals + Green status + On-Site proenvironmental behaviours = sustainability
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
10.2. ‘Art goes to Heaven’: Challenges of cultural and creative work between projects and mediations
One last chance to save a cultural district? The future of post-COVID19 Bairro Alto
Investigations on an expanded poetic writing
Art, market and the social place of the outsider artist: a brief diagnosis of the contemporary artistic field
Transnational identities in the Instagram feed: records of Felipe Pavani’s performances at the subway station in New York City
The Meeting between Warhol and Pasolini at the 1975 ‘Ladies and Gentlemen’ exhibition
Breaking the Fourth Wall: the emergence and affirmation of artistic programming as art in Portugal in the last decade
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
11.2. ‘No survivors’. Migrations, movements, transits and transglobal society of arts and music
Reframing colonial narratives: Notes about post-photography
Diaspora, perspectivism and anachronism in rock from Bahia (Brazil): experience through albums covers
Women, migrations and rock without borders
A creative hideaway: artists and migrants women at Porto
Adressing global challenges through remotivation – coverversions in the repertoire of Mano Negra
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
10h30 – 11h00 – Pause
Gardens, Faculty of Arts and Humanities of the University of Porto, Porto
11h00-11h30 Q&A SESSION Paloma McLardy aka Palmolive
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
11h30 – 12h00 –Q&A SESSION Cathy Claret
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
12h00 – 12h30 –Q&A SESSION Reyes Torío
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
12h30 – 13h00 – OPENING EXHIBITION ‘Ondinamix’ by Ondina Pires
Artist: Ondina Pires
Online
12h30 – 13h30 – Lunch
Faculty of Arts and Humanities of the University of Porto, Porto, FLUP, Porto
13h30 – 15h00 – PARALLEL SESSIONS
2.4. DIY. DIT. DIO. Should We Just Do It?
Demand It Yourself: A case study of the DIY techniques in the Hong Kong protests
‘Doing-it-together’ in Toronto: Queer world-making, DIY ethos and resisting erasure
Theorizing the Rebellion: Exploring DIY, culture, and praxis among grassroots climate activists in Brisbane, Australia
Let’s Do-It-Ourselves (DIO) and Do It Now: Young people’s environmental activism
Feral spaces filled with sound: the making and performing of a DIY acousmonium COMMUNITY RADIO PERFORMANCE
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
3.3. ‘The Road Is Long, The Road Is Hard’: Hidden stories and visual arts of contemporary counterculture
The dropouts are anticipating future economic policy: Work, class and countercultural legacies
Photography and the image of the self in punk women’s memoirs
Mail art from the eternal network to temporary exhibitions and archives
Appropriating Death: the works of Theodor Kittelsen in black metal album covers
Places of revolt: Geographical references in Slovak anarchist press around the turn of the millennium
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
4.5. ‘Glory Days’: Independence, artistic freedom and resilience in the cities
What is ‘independence’ to the independent rock scene? The case of the independent rock band collectives of Fortaleza (Brazil)
Casa da Tita in Florianópolis. Contributions to the formation of an artivist music scene
Divergences, Incisions, and Promises of Glory – Origins of Portuguese indie
The culture of noise: Expressivity in independent musical production in Curitiba
Ectoplastic: A film from the future, an ethnographic B movie FICTIONAL FILM PERFORMANCE
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
9.2. ‘Melancholy kaleidoscope’: Artivisms, resistances and new politics of life
The sonic experience of experimental electronics and hardcore techno
Odin teatret: third theatre and resistance
‘Flowers in the dustbin’: Punk lyrics and the transnational politics of resistance
Denunciation of the Colombian armed conflict through the modern sonorities in the industrialized cities: the cases of I.R.A., Masacre, La Pestilencia, Aterciopelados and 1280 Almas
The Emergence of Skinheads in the CSSR
Before the Lecture: My doll and I: A double cross-dressing performance using poetry SPOKEN WORD POETRY PERFORMANCE
No Room for You [203], Faculty of Arts and Humanities of the University of Porto, Porto
9.4. Geographies of innovation, changing contexts and imagery protests
Fat body as resistance in Visual Arts: Elisa Queiroz’s Fat Activism
Protest images, collective portraits. Ten years after the 2011’s ‘Networks of Outrage and Hope’
My doll and I: A double cross-dressing performance using poetry
Spurious communication and dissatisfying resolutions: The potential killer of counter-hegemonic culture in the ‘Age of Divide’
The use of post-rock in screamo: an aesthetic-expressive device
Without Borders, Without Center: Collective practices in cinema
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
15h00 – 16h30 – PARALLEL SESSIONS
1.3. ‘I still don’t know what’s on my mind’: Building a present punk science
Why can’t I hear Marshallese music? A critique of the study of punk through punk method
Punks, prophets and the language of the people: Three decades of Afrikaans music from the ghettos of Cape Town
Symbolic exchanges, connections and territorialities in Southern Brazil: An ethnography of punk resistance between Porto Alegre and Curitiba
‘Los Frikis’: Origins of punk in Cuba
Babykatze PERFORMANCE EXHIBITION
Room At The Top [Sala de Reuniões I], Faculty of Arts and Humanities of the University of Porto, Porto
4.2. ‘Welcome to the End of Fun’. Public space, creativity and artistic-cultural interventions
From reflexivity to transformation: Activist research at a Prairie Encampment
Exoticization and internationalization in the cultural history of the fashion district Harajuku
Creative economy, crisis and new alternative spaces in the Port Area of Rio de Janeiro
Transforming urban public space through art initiative: Darağaç Art Collective in Turkey
In between building a refuge and a stepping stone: Organisational and financial analysis of underground music production in Turkey
Room to Breathe [201], Faculty of Arts and Humanities of the University of Porto, Porto
4.6. ‘Well Paid Scientist’. Documents, social representations, narratives and communities
Bone in the Throat. Documenting and video archiving the Montréal hard-core scene
People and dancefloors: Narratives of drug-taking
Beating drums, living in communities: discourse, representation, and performance of self and group identity in Brazilians community-based percussion bands
The audiovisual archeology of David Bruno
The (in)visibility of the backstage: representations in a technical environment
Just One More Room for You [202], Faculty of Arts and Humanities of the University of Porto, Porto
8.4. Panel: Music and cancel culture in the digital era
Fandom controversies, haterism and cancel culture on digital networks and platforms
Bigmouth Strikes Again! Morrissey´s controversies and the culture of cancellation
‘Fuck you Roger, play the songs!’: rock, politics, artist-audience conflicts and the rise of ex-fans
Shazam Tracks & Voice Notes DJ PERFORMANC
9.3. ‘Exploding views’. Post-digital resistance and activistic narratives
Post-digital music and the subtechnology of resistance in Chilean electronic music practices
Media activism in the music industry: the resistance of working-class women in online music network projects
A digital practice within, against and beyond capitalist mode of production
Imagetic and discursive narratives of the far right: Expressions of hate and colonization of the imaginary
RADIANT: Exposing and exhibiting an irradiated vagina and a cancerous endometrium
Room for One More [208], Faculty of Arts and Humanities of the University of Porto, Porto
16h30 – 17h00 – Pause
Gardens, Faculty of Arts and Humanities of the University of Porto, Porto
17h00 – 18h00 – CLOSING REMARKS
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
18h00 – 19h00 – FLASH BOOK LAUNCHES
British Progressive Pop 1970-1980 by Andy Bennett
‘The Canterbury Sound in Popular Music: Scene, Identity and Myth’ by An
dy Bennett
‘KISMIF Book Series’ by Paula Guerra and Andy Bennett.
Room For One [Anfiteatro Nobre], Faculty of Arts and Humanities of the University of Porto, Porto
18h00 – 00h00 – (AFTER) PARTY All Tomorrow Parties with KISMIF
Clubbing: A Boy Named Sue and Victor Torpedo.
Ferro Bar, Porto.
Price: free.
21h00 – 00h00 – DJSET Make Bennett Not War
Clubbing: DJ Collective DJ’s KISSMyF
Casa Comum, Porto, Online
Price: free.
